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Jis tann lãgé soee jãné: The 1984 Pogrom, Marg magazine special issue on Art and Conflict, Edited by Glenn D. Lowry, 2020
Interview with Benita Fernando on Nizamuddin at Night, Indian Express, 2020
Portfolio: Du magazine, 2019
Laura Cumming: Venice Biennale 2019 review – preaching to the converted, The Guardian, 2019
Ben Davis: In Ralph Rugoff’s Venice Biennale, the World’s Artists Take Planetary Doom as a Given, But Search for Joy Nonetheless, artnet news, May 2019
Dale Berning Sawa: Gauri Gill’s best photograph: a rat nursing an elderly woman, Guardian newspaper, 2019
Andrew Russeth: ‘Part of My Job Is Just to Listen’: Photographer Gauri Gill on Her Peripatetic Art, ArtNews, 2018
Sharmistha Ray: Harnessing the Revelatory Power of Masks, Hyperallergic, 2018
Nicole Miller: Projects 108: Gauri Gill, Brooklyn Rail, 2018
Interview with Tausif Noor, 500 words, Artforum magazine, 2018
Vandana Kalra: Photographer Gauri Gill takes her desert journeys, Indian Express newspaper, 2018
Bansie Vasvani: Gauri Gill and the Acts of Appearance, COBO Social, 2018
Will Heinrich: Behind a mask, in front of a lens, New York Times, 2018
Natasha Ginwala: Image as Dwelling, Gauri Gill's photography and collaborative approach, DB ArtMag, 2018
Jyoti Dhar: Gauri Gill, Nature Morte, Artforum magazine, 2018
Chanpreet Khurana: With masks and some alchemy, photographer Gauri Gill tells real and fantastic stories in Maharashtra, Scroll, 2018
Rashmi Meenakshi Vishwanathan: An Architecture of Memory, Third Text, 2017
Kaelen Wilson-Goldie: At Documenta, Blurred Lines Between Art and Politics, Aperture magazine, 2017
Girish Shahane: The Grand European Art Tour, Scroll magazine, 2017
Anar Parikh: The Americans: Representations of South Asian American Life, South Asian American Digital Archive, 2017
Sarover Zaidi: On two modes of witnessing: Azadeh Akhlaghi and Gauri Gill, Chapati Mystery, 2017
Chanpreet Khurana: Photographer Gauri Gill uncovers the secret lives of graves in Rajasthan, Scroll.in, 2017
Prajna Desai: The Kids Aren’t All Right, Aperture magazine, 2017
Nabil Ahmed: Negative Moment: Political Geology in the Twenty - First Century, South, documenta 14, Issue 3, 2016
Annalisa Merelli: When an ancient tribal art depicts modern Indian life, Quartz India, 2016
Pooja Pillai: Stitched in Time, Indian Express newspaper, 2016
Nancy Adajania: Bearing Witness: Creations of the “Human Hand” in Gauri Gill’s photography, The Wire, 2016
Reema Gehi: Retellings, Mumbai Mirror newspaper, 2016
Chanpreet Khurana: The art of slowing down, Mint newspaper, 2016
Inderpal Grewal: Gauri Gill and Rajesh Vangad, Fields of Sight, Trans Asia Photography Review, 2015
Portfolio: ‘Another Way of Seeing, Granta magazine, 2015
The Salon: Conversation between Lola Mac Dougall and Gauri Gill, Johannesburg Workshop in Theory and Criticism, 2014
Somak Ghosal: ‘Eye Spy: The work of mourning’ Mint newspaper, 2014
Deeksha Nath: ‘Violence and Resistance’ Review of Forms of Activism, Frontline magazine, 2014
Geeta Kapur: ‘Aesthetic Bind, Citizen Artist: forms of address, 2013
Jaspreet Singh: ‘Thomas Bernhard in New Delhi’, New York Times, 2013
Avtar Singh: ‘Returning to 1984’, Timeout magazine, New Delhi, 2013
Neha Thirani: 1984, ‘Mumbai’s ‘Focus’ Festival Showcases Women Photographers'. New York Times, 2013
Portfolio: ‘Extra-Urban’, Domus, Mumbai 2012
Aditi Saxton: ‘Do you see what I see’, Review of Balika Mela, Tehelka magazine, 2012
Rosalyn D’Mello: ‘Gauri Gill’s New Book is a Chapter in the Art of Portraiture’, Artinfo.com, 2012
Nao Katagiri: ‘New generation of Indian Artists’, Bird magazine, Tokyo, 2012
Murtaza Vali: ‘Eluding Presence: Portraiture in South Asian Photography’, Trans Asia Photography Review, 2011
Portfolio: ‘Balika Mela’, Inge Morath Foundation, 2011
Portfolio: ‘Nizamuddin at Night’, Civil Lines, Edited by Mukul Kesavan, Kai Friese and Achal Prabhala, Harper Collins, New Delhi 2011
Portfolio: ‘Balika Mela’, Sunday Guardian newspaper, New Delhi 2011
Christopher Lord: ‘Professional and amateur pictures of war-ravaged Kabul on show in London’, Review in The National newspaper, Abu Dhabi 2011
Neha Thirani: ‘The Peacocks on the Periphery’, Review in Times of India newspaper, Mumbai 2010
Zeenat Nagre: ‘State of Discomfort’, Review in Time Out magazine, Mumbai 2010
Anita Dube: ‘Notes on Gauri Gill’s Notes from the Desert’, Art India Magazine, Mumbai 2010
Portfolio: ‘Notes from the Desert’, Du magazine, Zurich, 2010
Maya Kovskaya: Review in BLOUINARTINFO 2010
Jane Mikkelsen: ‘Nomad Land’, Review in Timeout magazine, New Delhi 2010
Mario Cresci and Radu Stern: ‘Future Images – A Collection of the World’s Best Young Photographers’, 24Ore Motta Cultura, Italy 2010
Von Feli Schindler: ‘Bilder des Glücks und der Tristesse’, Review in Tages Anzeiger newspaper, Zurich 2010
Portfolio: ‘Balika Mela Portraits’, Ojodopez, Spain 2010
Portfolio: ‘The Americans’, Gup Magazine, The Netherlands, 2010
Deepanjana Pal: ‘Beyond Photoshop’, Review in The Caravan magazine, New Delhi 2010
Alexander Keefe: ‘On Nizamuddin at Night’, Essay in Marg magazine, Mumbai 2010
Veerangana Solanki: ‘More than a thousand words’, Review in The Economic Times newspaper, New Delhi 2010
Himanshu Bhagat: ‘Art of the Here and Now’, Review in Mint newspaper, New Delhi 2010
Bakirathi Mani: ‘Viewing South Asia, Seeing America: Gauri Gill’s “The Americans”’, Essay in American Quarterly, March 2010
Deeksha Nath: ‘The Americans’, Essay in Special Issue edited by Shaheen Merali, Black, Take on Art Magazine, New Delhi 2010
Nilanjana Roy: 'Fighting for safe passage on Indian Streets', NYT, 2010
Ravi Agarwal: ‘Interview for KHOJ BOOK - Ten years of Khoj Artists’, New Delhi 2010
Paul Sternberger: ‘Me, Myself and India’, Essay in Photographies, London 2009
Christopher Pinney: Comments on The Americans, Chicago Cultural Center, Chicago 2008
Portfolio: ‘Urban Landscapes’, Private Photo Review, France 2009
Marina Budhos: ‘The Uneven Promise of a New Land’, Essay on The Americans, Tehelka magazine, New Delhi
Aveek Sen: ‘Vast Native Thoughts’, Review in Telegraph newspaper, Kolkata 2008
Gayatri Sinha: Essay for The Americans, New Delhi 2008
Holland Cotter: ‘INDIA Public Places/Private Spaces Contemporary Photography and Video Art’, Review in New York Times newspaper, January 2008
Ella Dutta: ‘Holding the city open’, Review in Art India magazine, Mumbai, 2008
