‘Part of My Job Is Just to Listen’: Photographer Gauri Gill on Her Peripatetic Art, ArtNews, 2018

Sharmistha Ray: Harnessing the Revelatory Power of Masks, Hyperallergic, 2018

Nicole Miller: Projects 108: Gauri Gill, Brooklyn Rail, 2018

Gauri Gill 500 word interview with Tausif Noor, Artforum magazine, 2018

Vandana Kalra: Photographer Gauri Gill takes her desert journeys, Indian Express newspaper, 2018

​Bansie Vaswani: Gauri Gill and the Acts of Appearance, CoBo Social, 2018

Natasha Ginwala: Image as Dwelling, Gauri Gill's photography and collaborative approach, DB ArtMag, 2018

Jyoti Dhar: Gauri Gill at Nature Morte, review, Artforum magazine, 2018

Chanpreet Khurana: With masks and some alchemy, photographer Gauri Gill tells real and fantastic stories in Maharashtra, Scroll 2018

Rashmi Meenakshi Vishwanathan: An Architecture of Memory, Third Text, 2017

Kaelen Wilson-Goldie: At Documenta, Blurred Lines Between Art and Politics, Aperture magazine, 2017

Sarover Zaidi: On two modes of witnessing: Azadeh Akhlaghi and Gauri Gill, chapatimystery.com, 2017

A View of the World—Powerful Images of Gauri Gill's Balika Mela series on view

Chanpreet Khurana: Photographer Gauri Gill uncovers the secret lives of graves in Rajasthan, Scroll, 2017

Prajna Desai: The Kids Aren't Alright, Aperture Issue 225, On Feminism, 2017

Nabil Ahmed: Negative Moment: Political Geology in the Twenty - First Century, South, documenta 14, Issue 3, 2016

Annalisa Merelli: When an ancient tribal art depicts modern Indian life, Quartz India, 2016

Pooja Pillai: Stitched in Time, Indian Express newspaper, 2016

Nancy Adajania: Bearing Witness: Creations of the "Human Hand' in Gauri Gill's photography, The Wire, 2016

Reema Gehi: Retellings, Mumbai Mirror newspaper, 2016

Chanpreet Khurana: The art of slowing down, Mint newspaper, 2016

Inderpal Grewal: Gauri Gill and Rajesh Vangad, Fields of Sight, Trans Asia Photography Review, 2015

'Another Way of Seeing', Granta magazine, 2015

Nimi Kurian: Review of Granta, the Hindu newspaper, 2015

Anupama Chandra: Review of Granta, Asian Age newspaper, 2015

Jaideep Mazumdar: Ways of speaking a trillion words, The Times of India, 2014

The Salon: Conversation between Lola Mac Dougall and Gauri Gill, Johannesburg Workshop in Theory and Criticism, 2014

Vince Aletti: Gauri Gill, Goings on About Town, The New Yorker, 2014

Somak Ghosal: Eye Spy: The work of mourning, Mint newspaper, 2014

Deeksha Nath: Violence and Resistance, Review of Forms of Activism, Frontline magazine, 2014

Geeta Kapur: Aesthetic Bind, Citizen Artist: forms of address, 2013
Jaspreet Singh: Thomas Bernhard in New Delhi, New York Times, 2013
1984: Gauri Gill, Kafila, 2013
Avtar Singh: Returning to 1984, Timeout magazine, 2013
Portfolio: ‘Extra-Urban’, Domus, Mumbai 2012
Aditi Saxton: Do you see what I see, Review of Balika Mela,Tehelka magazine, 2012
Trisha Gupta: What is the ‘real you’, and other questions about photo portraits, Sunday Guardian newspaper, 2012
Rosalyn D’Mello: Gauri Gill’s New Book is a Chapter in the Art of Portraiture, Artinfo.com, 2012
Balika Mela, excerpt: Open magazine, 2012
Sonam Joshi: Interview on Balika Mela, Timeout, 2012
Shailaja Tripathi: Review of Balika Mela, The Hindu newspaper, 2012
Nao Katagiri: ‘New generation of Indian Artists’, Bird magazine, Tokyo, 2012
Melissa Leong: Gauri Gill wins 2011 Grange Prize, The National newspaper, 2011
Murtaza Vali: Eluding Presence: Portraiture in South Asian Photography, Trans Asia Photography Review, 2011
Christopher Lord: Professional and amateur pictures of war-ravaged Kabul on show in London, Review of What Remains, The National newspaper, Abu Dhabi 2011
Critics Pick: Ten Contact Shows to see, Kate Taylor, The Globe and Mail newspaper, Toronto 2011
Portfolio: 'Balika Mela’, Inge Morath Foundation, 2011
Portfolio: 'Nizamuddin at Night’, Civil Lines, Edited by Mukul Kesavan, Kai Friese and Achal Prabhala, Harper Collins, New Delhi 2011
Portfolio: 'Balika Mela’, Sunday Guardian newspaper, New Delhi 2011
Neha Thirani: The Peacocks on the Periphery, Review of Notes from the Desert, Times of India 2010
Zeenat Nagre: State of Discomfort, Review of Notes from the Desert in Time Out Mumbai 2010
Anita Dube: Notes on Gauri Gill’s Notes from the Desert, Art India Magazine, 2010
Maya Kovskaya: Review of Notes from the Desert, www.artinfo.com 2010
Jane Mikkelsen: Nomad Land, Review in Timeout magazine, New Delhi 2010

Von Feli Schindler: Bilder des Glücks und der Tristesse, Review in Tages Anzeiger, Zurich 2010
Deepanjana Pal: Beyond Photoshop, Review in The Caravan magazine, New Delhi 2010
Portfolio: 'Notes from the Desert’, Du magazine, Zurich, 2010
Portfolio: 'Balika Mela Portraits’, Ojodopez, Spain 2010
Portfolio: 'The Americans’, Gup Magazine, The Netherlands, 2010
Alexander Keefe: On Nizamuddin at Night, Marg magazine, Mumbai 2010
Veerangana Solanki: More than a thousand words, Review in the Economic Times, Mumbai/New Delhi 2010

Himanshu Bhagat: Art of the Here and Now, Review in Mint newspaper, New Delhi 2010
Bakirathi Mani: Viewing South Asia, Seeing America: Gauri Gill’s “The Americans”, Essay in American Quarterly, March 2010
Deeksha Nath: The Americans Essay in Special Issue edited by Shaheen Merali, Black, Take on Art Magazine 2010

Nilanjana Roy: 'Fighting for safe passage on Indian Streets', NYT, 2010

Ravi Agarwal: Interview for KHOJ BOOK - Ten years of Khoj Artists, 2010

Paul Sternberger: Me, Myself and India, Essay in Photographies, London 2009

Portfolio: 'Urban Landscapes’, Private Photo Review, France 2009
Christopher Pinney: Comments on The Americans, Chicago Cultural Center, Chicago 2008
Marina Budhos: The Uneven Promise of a New Land, Essay on The Americans, Tehelka magazine, New Delhi
Aveek Sen: Vast Native Thoughts, Review in the Telegraph newspaper, Kolkata 2008
Holland Cotter: INDIA Public Places/Private Spaces Contemporary Photography and Video Art Review in the New York Times newspaper, January 2008
Ella Dutta: Holding the city open, Review in Art India magazine, Mumbai, 2008
Bandeep Singh: Personal Light, Review in India Today magazine, New Delhi, 2007